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In my opinion it is emotionally better than the original one included on the debut album, which loses much of its languid charm even if it is better arranged.Peaking at No. This one is very evocative, based on singing by Fagen and keyboards but in the center has an interesting guitar solo Elliott Randallthen the song expands a lot up to 6 minutes, becoming the most ardous of the album. Frankenstein abridged pdfīrooklyn is the only song of this collection that will end up on an official Steely Dan record and this version is slower and more resigned than that on "Cant buy a Thrill". Old Regime Nice jazz bridge that, after the second chorus, connects the second verse with the third. But Dias' sharp solo lifts the quality and makes it a beautiful blues. This is even more catchy than the previous ones, perhaps too commercial. These songs flow which is a pleasure for the ear. Don't Let Me In Another piano danced to the rhythm of a boogie, with drums John Mazzi and bass Becker very strong, and with Fagen's voice in the foreground along with Dias' rhythm guitar. Simple structure, verse and chorus, with a guitar solo Denny Dias again in the center and at the end, immediate and inspired song. Come Back Baby is a beautiful song, another piano ballad with bass bluesy and the two voices of Fagen and Becker in unison. Brain Tap Shuffle is a very convinced boogie where Fagen and Becker sing in unison, and where Dias' sharp guitar is in the foreground, and thanks to the backing vocals you reach a great fusion sound between jazz, blues and soul.